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“La vengeance est un plat qui se mange froid,” wrote Pierre de Choderlos de Laclos, in his 1782 classic Les Liaisons Dangereuses<\/em><\/em>. But the English version of the delicious phrase has been uttered in pop culture many times since, by everyone from Dorothy Parker to The Godfather<\/em><\/em>\u2019s Don Vito Corleone: \u201cRevenge is a dish best served cold.\u201d <\/p>\n And while the chilling epithet may be true, retribution can come in many forms, and on the ferocious new Revengeseekerz<\/em><\/em>, the electro-indie-digi-punk savant that is Jane Remover<\/a> comes in hot \u2014 as well as relentless, slightly mad, funny and liberated like never before. The third album from Jane [they\/them] was a surprise drop last Friday, to the delight of the artist\u2019s faithful, who knew the LP was imminent.<\/p>\n Jane has for half a decade kept us guessing, resisted boxes \u2013 musical or otherwise \u2013 and often vowed never to repeat themselves, record to record, and <\/span>Revengeseekerz <\/em><\/em>checks that box. It was presaged by a string of singles last summer intended for another project and which sounded nothing like the new album; then a wry, killer New Year\u2019s Day track, \u201cJRJRJR\u201d; an infectious club banger, \u201cDancing with your eyes closed\u201d; <\/span>and <\/em><\/em>the no-fanfare Valentine\u2019s Day drop of <\/span>Ghostholding<\/em><\/em>, the debut full-length from Jane\u2019s more understated side project, Venturing. But none of it prepared us for the sonic beast that is <\/span>Revengeseekerz<\/em><\/em>. Crashing, sample-heavy, jagged electronics (\u201cTWICE REMOVED,\u201d \u201cDreamflasher,\u201d the anything-goes \u201cTURN UP OR DIE\u201d) butt up against frantic dance tracks, including \u201cPsychoboost,\u201d a 150 bpm piledriver with an appropriately unhinged feature from rap wild man Danny Brown, who in a recent post called <\/span>Revengeseekerz <\/em><\/em>the \u201calbum of the year.\u201d And while it\u2019s only just April? It deserves a place in that conversation.<\/span><\/p>\n <\/p>\n Superficially, the LP\u2019s return to electronics may have more in common with Jane Remover\u2019s 2021 debut Frailty <\/em><\/em>\u2013 a smash \u2018n grab triumph of queer Gen Z bedroom confessionals, digicore maelstroms \u2013 than it does with their acclaimed 2023 turn toward darker, American goth-horror shoegaze, Census Designated<\/em><\/em>. But Revengeseekerz <\/em><\/em>is by no means a step back. There was a manic quality to Frailty <\/em><\/em>as well, but as Jane has pointed out, that record was the product of a 17-year-old, whereas Revengeseekerz <\/em><\/em>not only doubles down on the frenzy but brims with an empowerment and lack of inhibition of an artist who now, at 21, creates at a home studio in their adopted home of Chicago, hundreds of miles from their native New Jersey.<\/p>\n Jane predicted two years ago that \u201cwhatever comes next\u201d after Census <\/em><\/em>would offer a marked contrast, and holy moly if that isn\u2019t true. Against a blown-out electronic wall in the chop-and-change \u201cExperimental Skin,\u201d their vocal, just discernible beneath the squall, admits they \u201cmight be falling for you\u201d but on the other hand wonders, \u201cI think that I don\u2019t have a soul.\u201d On a lyrically unfiltered \u201cStar people,\u201d (partly inspired by the late George Michael, who had a song of the same name) Jane offers, \u201cI look at him like that cause I\u2019m a fucking perv\u201d and \u201cwe should film a sex tape and then leak it.\u201d \u201cPsychoboost\u201d builds to a tornadic finish, and the refrain \u201cdon\u2019t get greedy or you might get hurt.\u201d<\/p>\n As the album\u2019s name suggests, scores are settled throughout. Revengeseekerz\u2019 <\/em><\/em>title is loosely connected to Kill Bill, <\/em><\/em>Jane\u2019s favorite movie, a fact which alone should tell you that crossing the artist might not be advisable. Another influence was electro-hardcore act Machine Girl\u2019s unrelenting 2017 releases Because I\u2019m Young Arrogant and Hate Everything About You<\/em><\/em>. Jane\u2019s vivid imagination for retributory violence is familiar to anyone who remembers the harrowing \u201cpart two\u201d of their 2021 epic \u201cmovies for guys\u201d in which our narrator takes glass shards to an offender and blithely kicks back to watch TV as the chud bleeds out on the sidewalk. Suffice to say, Revengeseekerz <\/em><\/em>serves more of where that came from. \u201cangels in camo\u201d opens with, \u201cDear God, place a curse on those who wronged me\u201d and later declares, \u201cI can\u2019t let these bitches win.\u201d \u201cTURN UP OR DIE\u201d declares, \u201cGive dead bitches proper sendoff. Explosive bitch, blow his head off.\u201d \u201cAnd on Experimental Skin\u201d: \u201cI wanna sin, blow the city up.\u201d <\/p>\n <\/p>\n Make no mistake: the album is a freewheeling blast, and Jane calls it the \u201cmost fun\u201d they have had making music in a long time. Still, while not didactically political, the significance of a record with vengeance on its mind, by a young queer artist \u2013 Jane came out as a trans woman in 2022 \u2013 dropping at this moment in history, in which marginalized people, none more so than the trans community, are regularly demonized and lied about and hatred against them is weaponized at the highest seats of power, cannot be ignored. Revengeseekez <\/em><\/em>is a rush, but it also matters.<\/p>\n Its brash sonic bad-assery is complemented by a hell of a JR glow-up in the past year. The artist who once sported wire rims and christened the zany, glitchy microgenre they fashioned in their teen come-up as \u201cdariacore\u201d has done a Black Swan move and \u2013 ever one to throw a metaphorical match to their past work \u2013 set themselves on fire in the dramatic cover photo for Revengeseekerz. <\/em><\/em>An arresting image for a stunner of a record, which has no doubt left jaws dropped, possibly blown a speaker or two and will like leave venue walls and floors shaking when Jane\u2019s TURN UP OR DIE <\/em><\/em>tour launches later this month. PAPER<\/em> sat down with the self-described \u201cshapeshifter\u201d in their publicists\u2019 Lower East Side office in late March. <\/p>\n <\/p>\n JR! What a monster of a record. I want you to know I first heard <\/strong>Revengeseekerz<\/em><\/strong><\/em> about 48 hours before Playboi Carti\u2019s <\/strong>MUSIC <\/em><\/strong><\/em>\u2013 maybe the most talked about record of the year \u2013 dropped \u2013 and I was no less blown away by your record than by his.<\/strong><\/p>\n I love Carti\u2019s album! <\/p>\n I like it too, but to think what you have achieved with this, working all on your own, with just the one feature from Danny Brown, it\u2019s just amazing. So you had some singles out last summer that were not part of this album, when did this record all come together?<\/strong><\/p>\n Yeah, \u201cMagic I Want U,\u201d \u201cHow to Teleport\u201d and \u201cFlash In the Pan,\u201d they were all part of an album that I was working on last summer. And I left it unfinished, but I remember halfway through the [JPEGMAFIA] tour I was like, \u201cThis isn\u2019t what I want to do.\u201d But honestly a lot of the ideas from that project ended up seeping into Revengeseekerz. <\/em><\/em>So I know that a lot of my fans were upset like, \u201cOh why didn\u2019t you just drop that album instead?\u201d But, if you hear that album and Revengeseekerz <\/em><\/em>back-to-back, the ideas are basically the same, melodically, sonically. Even though Revengeseekers <\/em><\/em>is way more mechanical, and cold. <\/p>\n Do you remember what the first songs you did on it were and how they came about? <\/strong><\/p>\n Yeah, I came home from tour and instantly \u201cJRJRJR\u201d was the first song I made. It was the only one that was finished, for three months! <\/p>\n So that was September-ish? <\/strong><\/p>\n Yeah I came home the week of my birthday. The day I touched down back at my place was September 25. Then literally three days later I made \u201cJRJRJR.\u201d While I was on tour I basically had a track list done, and it\u2019s not identical to the track list that is here in front of us, but I knew \u201cJRJRJR\u201d was gonna be the last track for sure. And also I thought it would be funny to have the lead single be the last track on the album. <\/p>\n <\/p>\n That song and \u201cDancing with your eyes closed\u201d both dropped earlier in the year, and in a way it feels like you were easing people into this album, because in a sense they are simpler to digest than some of the more chaotic tracks like \u201cExperimental Skin\u201d or \u201cTURN UP OR DIE.\u201d Does that make sense?<\/strong><\/p>\n Yeah, it\u2019s funny cause those \u2013 \u201cDancing\u201d and \u201cJRJRJR\u201d \u2013 are so loaded. But at the same time, they were teasers for the rest of the album. Like appetizers, almost. <\/p>\n If things really started happening in September to me that sounds like you work pretty fast. <\/strong><\/p>\n I was grinding! Cause, Revengezeekerz <\/em><\/em>and the [side project] Venturing album Ghostholding<\/em><\/em>, I did those at the same time.<\/p>\n Like, back and forth? <\/strong><\/p>\n Yeah! So the first actual song I made when I came home was \u201cSister,\u201d off the Venturing album. I wrote that one a long time ago. Then \u201cJRJRJR.\u201d <\/p>\n I suppose if you were gonna be reductive, this album is more like <\/strong>Frailty <\/em><\/strong><\/em>than it is like <\/strong>Census<\/em><\/strong><\/em>? I don\u2019t even know if you would agree with that, but I also think it\u2019s different. It\u2019s got a boldness and this feeling of empowerment and fearlessness I would say that could only have come from these last few years. Do you agree?<\/strong><\/p>\n <\/strong>Yeah, I think so too. Because, production-wise it definitely is closer to Frailty <\/em><\/em>than it is to Census <\/em><\/em>because Frailty <\/em><\/em>was, there was a lot of dance-oriented tracks on there, and half of this album is EDM. But still, I didn\u2019t put down the guitar at all for this album. Out of seven, of the twelve songs on this album I\u2019m still playing guitar on it. I wanted to find a way to \u2013 cause I\u2019ve grown more confident in my guitar playing abiliities, so I\u2019m like, why would I not want to put it on the album?<\/p>\n Do you feel like <\/strong>Revengeseekerz <\/em><\/strong><\/em>could not exist had you not gone through <\/strong>Census Designated<\/em><\/strong><\/em>? <\/strong><\/p>\n No. In a way, you know how Census <\/em><\/em>is a product of Frailty<\/em><\/em>, where it was everything that came after Frailty<\/em><\/em> fueled what made Census<\/em><\/em>? So now it\u2019s like, in a way everything that did come after Census <\/em><\/em>is what is fueling Revengeseekerz <\/em><\/em>in a way. And it\u2019s not just that \u2013 the second album has to happen in order for the third album to happen. And, whatever I make after this album, this album has to happen in order for me to think about what I want to do next.<\/p>\n Last year it felt like maybe there was a new aesthetic era coming too when you dropped a visualizer for \u201cFlash In the Pan\u201d which was you hanging out the car window, right? <\/strong><\/p>\n Yeah like smoking out the window.<\/p>\n <\/p>\n Which was super cool, and it reminded me, didn\u2019t Leroy [Jane\u2019s \u2018dariacore\u2019 2021 alter ego] have a song called \u201cdyed my hair black\u201d?<\/strong><\/p>\n \u201cDyed my hair black\u201d \u2013 yeah, was one of my favorites, honestly! <\/p>\n Yeah, dude some of those old titles were so cool, one was like, \u201cnot in Pride month\u201d? <\/strong><\/p>\n Oh yeah, \u201cduring Pride month?\u201d <\/p>\n Yeah that\u2019s it. Awesome. So wait, is your hair naturally that dark? <\/strong><\/p>\n I dyed my hair the last time was probably a month and a half ago. So it\u2019s probably faded by now. But my hair\u2019s naturally brown. <\/p>\n A lighter brown? <\/strong><\/p>\n Yeah so it\u2019s not that much of a difference, but honestly you\u2019re the first person to point out that I did <\/em><\/em>dye my hair black for that shoot. [Laughs<\/em>].<\/p>\n Well I thought so but I wasn’t sure. Your fans\u2019 subreddit was talking a lot recently about your \u201caura farming\u201d \u2013 not sure how you feel about that \u2013 and it really ramped up with the Jane-on-fire photos. How did that idea come about? <\/strong><\/p>\n The fire was partially my idea, and partially the photographer Brendon\u2019s idea. [Brendon Burton] I gave him a visually rough idea of, \u201cThis is what I\u2019m thinking,\u201d and it was honestly based off of a lot of video game screenshots. And then we scouted a place, and we shot in Oxnard, California. And he was like, \u201cThis is how you make a fire.\u201d Essentially. It\u2019s basically just butane, water, and soap. Basically the water doesn\u2019t catch fire, it\u2019s just the bubbles. And since the bubbles are in contact with the water, so the second the fire touches the water it gets put out. So you don’t really get burned. My hair caught fire\u2026<\/p>\n I was wondering about your hair. <\/strong><\/p>\n Yeah every picture we took the flame lasted probably like three seconds. It was a little science moment. But my hair caught fire probably fifty times! [Laughs<\/em>] You can see in some of the photos, my hair, burnt to a crisp a little bit. I remember I came home, or we pulled up to some surf n turf spot, and I was just smelling like butane fire.<\/p>\n <\/p>\n The title Revengeseekerz <\/em>and a lot of the lyrics are vengeful in nature, one way or another \u2013 for me, there is a lot to unpack there. You know, \u201cangels in camo\u201d lays it all out, right off the top, of \u201cDear God, place a curse on those who wronged me.\u201d <\/strong>Was there an individual or several people in mind in terms of the target of the revenge mindset?<\/strong><\/p>\n Yeah, in a way I feel like there are<\/em><\/em> people that I have a right to genuinely be mad at, but Revengeseekerz <\/em><\/em>is a lot like a \u201cblind rage\u201d album, where it\u2019s like, yeah there are people that I am mad at, people that have wronged me. But they are assimilated with everybody else, so it\u2019s like just swinging it at literally everyone, in a sense. So it\u2019s like \u2013 I feel like I have a big sword. Imagine if we\u2019re in a Kill Bill <\/em><\/em>scene. Honestly that\u2019s where Revengeseekerz<\/em><\/em>, the title comes from. Cause it used to be \u2013 I had an account with the username Revengeseekerz<\/em><\/em>, with the \u201cz\u201d on It, and it was Kill Bill<\/em><\/em>-themed. Cause that\u2019s my favorite movie. It\u2019s like that one scene where they are at the bar, where the Yakuza come in, and she [Uma Thurman, as The Bride] is just swinging her sword at literally everyone, and behind her his head flies off, and in front of her his legs come off and it\u2019s just a bloody mess, she doesn\u2019t even know who she\u2019s hitting. That\u2019s what it feels like, the album, to me. I guess, everybody who has wronged me is in the crowd of everybody else, who I know and love, so it\u2019s like, yeah I\u2019m seeking revenge, I guess, on people who have wronged me, but I\u2019m also hurting people that I love in the process. And sometimes I don’t even know who I\u2019m mad at. That\u2019s also the blind rage part of it, where it\u2019s like, \u201cYeah, I\u2019m mad, and I feel like I have a right to be mad, but who am I mad at?\u201d<\/p>\n So a line like, \u201cI can\u2019t let these bitches win,\u201d the bitches aren\u2019t necessarily anyone in particular?<\/strong><\/p>\n Yeah I mean, for all I know, it could mean literally anyone else. Sometimes when you\u2019re mad at one person, you\u2019re mad at everyone. <\/p>\n Also in \u201cangels in camo\u201d you have the \u201cJesus never had it with a freak bitch\u201d line? <\/strong><\/p>\n I thought that was hard! <\/p>\n Yeah! I would say! <\/strong><\/p>\n That shit is hard! I\u2019ve \u2013 and honestly, my manager didn’t like this at all \u2013 but I was like, I have to have a certain \u201czestiness\u201d quota, for lack of a better term, on this album. So every song, or most songs, there\u2019s one line where it\u2019s like, \u201cit would be so fucking funny to like hear the fans sing this back to me!\u201d [Chuckles<\/em>]<\/p>\n \u201cDreamflasher\u201d is another favorite of mine \u2013 and this is saying a lot for this album, but it\u2019s the most bananas, so much going on, just this symphony of sounds and drops and bells and jagged shit. I don’t know if you can say anything about making that song, is it fun creating a track that is kind of crazy? <\/strong><\/p>\n Yeah. That was so much fun! That\u2019s honestly, like, my two most favorite songs to make on this album were \u201cDreamflasher\u201d and \u201cTURN UP OR DIE.\u201d I feel like both took, two studios sessions each to fully finish it.<\/p>\n Oh really? You do work fast. Damn. <\/strong><\/p>\n On a song like \u201cTURN UP OR DIE,\u201d that\u2019s two studio sessions. I started at like 2pm and I ended at like 5am. But it felt so good, to have that, render my song at like 5am, and then be like, \u201cYeah. It\u2019s done.\u201d [Laughs<\/em>] <\/p>\n You mentioned <\/strong>Kill Bill <\/em><\/strong><\/em>and I am sure fans remember some of your more visual songs like on <\/strong>Census <\/em><\/strong><\/em>or the pretty heavy part two of \u201cmovies for guys.\u201d It feels like you have a book in you, like you could write a heavy duty book. <\/strong><\/p>\n I\u2019m flattered, but I feel like my storytelling capabilities have only worsened, probably.<\/p>\n Really?<\/strong> Yeah. Cause I used to have Soundcloud accounts where I told, even with Venturing I tried to make it its own little story. I tried to do a bunch of world-building around that, and tried to connect it to this other Soundcloud account, and I feel like my abilities in that just only got worse and worse. So that\u2019s why I just killed the whole thing. I was like, \u201cLet me me have this side account for the vibes. And not for the story.\u201d But I don’t know what happened, honestly. It\u2019s the same thing as \u2013 I used to be able to fully imagine pictures in my head. It\u2019s called, \u201caphantasia\u201d<\/a> I think. You know that one diagram of the person imagining apples in their head? And it\u2019s like, one being a perfectly clear apple and five being nothing? I think I used to be at a one or two and the past few years, I\u2019m at a four or five now. <\/p>\n <\/p>\n Interesting.<\/strong><\/p>\n But it\u2019s different with music. I feel like music is the other way around, where I can fully imagine songs now. Whereas I used to only be able to imagine pictures, now I can only imagine songs. <\/p>\n Some of these lines, like \u201cI wanna blow the city up\u201d in \u201cExperimental Skin,\u201d or \u201cExplosive bitch blow his head off\u201d in \u201cTURN UP OR DIE\u201d\u2026 I don\u2019t want to cross you, I know that much! But it\u2019s interesting to me because you don\u2019t seem like somebody who has this super short temper? <\/strong><\/p>\n No, I\u2019m not. It\u2019s weird, honestly. I feel like I\u2019m a chill person. But I also have no chill. I feel like I almost never act out of anger, I honestly don\u2019t have a temper. But I also feel like I\u2019ve never really chilled out a day in my life. I feel like there\u2019s always something on my mind that\u2019s bothering me. <\/p>\n You don\u2019t seem, publicly, like an explicitly political person. But there is no getting away from the fact that a queer artist is releasing a record called <\/strong>Revengeseekerz <\/em><\/strong><\/em>in this very fraught, dark moment in time that we are in. I can\u2019t help but see it in that context too? You know, I personally feel quite vengeful toward these people who are every single day trying to inflict more harm on marginalized and vulnerable people, right?<\/strong><\/p>\n Yeah, I mean honestly, I see it in my family, I see it in everything. <\/p>\n But is the revenge-seeking that\u2019s through a lot of the record, is it a more personal kind of revenge, or do you see it working in that larger, sociological way?<\/strong><\/p>\n I can see how it can apply to that. And I like that. Cause there\u2019s the saying about how when the music comes out, it no longer belongs to you. And so, now \u2013 it could be revenge on the whole world, if you wanted it to. And that\u2019s also why it\u2019s so accentuated sometimes. You know when I say, \u201cexplosive bitch, blow his head off,\u201d or \u201cI wanna blow the city up.\u201d It\u2019s not as in Joker <\/em><\/em>shit! [Laughs<\/em>] <\/p>\n I was once, long ago, acquaintances, even friends, with George Michael. Interviewed him a bunch. And I bring this up, of course\u2026<\/strong><\/p>\n Because there are multiple George Michael references on here.<\/p>\n Exactly! And when I first saw you had a song called \u201cStar people\u201d I remembered that George had a song by the same name, which I talked to him about when his <\/strong>Older <\/em><\/strong><\/em>album came out [1996]. And then I saw your lyrics and heard the song, which actually borrows some phrases from his song, like the \u201csoul turning green,\u201d \u201cmaybe momma gave you up,\u201d and then you even say, \u201cI\u2019m on some George Michael <\/strong>Freek\u201d <\/em><\/strong><\/em>and I just thought that was all so cool, cause I think there are a lot of 21-year-olds who don\u2019t even know who he was<\/strong><\/p>\n I assume you know the story of how he was outed in a big tabloid incident, an undercover cop was in a public rest room in Beverly Hills\u2026<\/strong><\/p>\n Yeah and we see that happen time and time again now, and it\u2019s just that now it\u2019s more adjusted to the modern things. We just see the story of how George Michael got outed today but in other ways, with a bunch of people. But I feel like the way that he responded to it, and how he was so chill about it in every interview, I was like, \u201cDamn. That\u2019s so admirable.\u201d <\/p>\n Was there anything you wanted to say with \u201cStar people\u201d? What\u2019s that line about, \u201cMy mother told me\u2026\u201d?<\/strong><\/p>\n Oh yeah, \u201cMy mother called me, said \u2018don\u2019t let that fame sleep in your bed.\u2019\u201d<\/p>\n <\/p>\n And \u201cI blew up fast, grew up faster sleeping with the dead.”<\/strong><\/p>\n That\u2019s playing with your life. That song is the most all over the place on the album, I think. Cause the first half of it, or actually the whole song is this overarching theme of how being in music, it\u2019s like a dick-swinging contest. That\u2019s what \u2013 again with the zestiness quota of this album, \u201cWe should film a sex tape and press leak it\u201d \u2013 yah! But I feel it\u2019s partially about how fleeting love is, and it\u2019s the feeling that every good thing in your life is going to go. Especially love. All the good things that you have. Fame, money, love. I feel like rather than celebrating it, that I take advantage of it, and I just wait for it to go, at any second. I feel like that\u2019s why it\u2019s the most frantic-sounding on the album, and why lyrically it\u2019s all over the place, and there\u2019s just a random switch-up. <\/p>\n You\u2019ve spoken before about how you, maybe not over-think, but you think a lot about things, and maybe you\u2019ll have internal debates about things. Is that mainly about your art, or is it about other things as well?<\/strong><\/p>\n Honestly, it\u2019s about everything. But on the bright side, I kinda have more access to things than I did before. I finally have money to buy cool clothes. Earlier in my life I never really thought about getting cool clothes, because I just didn\u2019t really have money. So I was just like, \u201cLet me just wear whatever I have sitting around.\u201d And that\u2019s honestly how my whole fashion sense was until I moved and now that I\u2019m like \u2013 now that I can buy more, actual, cool-looking clothes, it\u2019s like, \u201cHmm, what do I want to look like when I walk out the door? How do I want to go about my day?\u201d Even though I\u2019m not fully there. You know? It\u2019s like, \u201cHow do I want my catalog to look in ten years?\u201d You know? \u201cHow do I want to brand myself?\u201d<\/p>\n Do you think that far ahead? Or are you just focused on, say, the next project? <\/strong><\/p>\n I don\u2019t know, because sometimes \u2013 cause honestly I have thought about what the fourth album is going to sound like, already. But I feel like maybe next time around, like it\u2019ll be the first time that my ideas \u2013 cause I have really big ideas? But never enough money to really make it look like how I can picture it? But I feel like maybe next time around, if this album does well enough, I can fully visualize how I want that album to sound like.<\/p>\n <\/p>\n Photography: <\/em>Parker Corey, Joriel Cura, Athena Merry<\/em><\/p>\n <\/br><\/p>\n","protected":false},"excerpt":{"rendered":" “La vengeance est un plat qui se mange froid,” wrote Pierre de Choderlos de Laclos, in his 1782 classic Les Liaisons Dangereuses. But the English version of the delicious phrase has been uttered in pop culture many times since, by everyone from Dorothy Parker to The Godfather\u2019s Don Vito Corleone: \u201cRevenge is a dish best served cold.\u201d And while the chilling epithet may be true, retribution can come in many forms, and on the ferocious new Revengeseekerz, the electro-indie-digi-punk savant … Continue reading “Jane Remover Comes In Hot”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":4254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[],"_links":{"self":[{"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/posts\/4252"}],"collection":[{"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/comments?post=4252"}],"version-history":[{"count":2,"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/posts\/4252\/revisions"}],"predecessor-version":[{"id":4263,"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/posts\/4252\/revisions\/4263"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/media\/4254"}],"wp:attachment":[{"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/media?parent=4252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/categories?post=4252"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.isshicare.com\/index.php\/wp-json\/wp\/v2\/tags?post=4252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/h3>\n
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<\/strong>I love George Michael! I can\u2019t remember how I first got into him. I only just recently got Older <\/em><\/em>on CD. But I\u2019ve liked that album for a minute. I always feel like rooting for a gay pop star. I love when a pop star is gay. And also his voice is so beautiful, and a lot of his songs I relate to.<\/p>\n<\/h3>\n
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