{"id":4226,"date":"2025-04-09T17:07:01","date_gmt":"2025-04-09T17:07:01","guid":{"rendered":"http:\/\/www.isshicare.com\/?p=4226"},"modified":"2025-04-10T18:26:30","modified_gmt":"2025-04-10T18:26:30","slug":"comet-the-princess-of-nu-grunge","status":"publish","type":"post","link":"http:\/\/www.isshicare.com\/index.php\/2025\/04\/09\/comet-the-princess-of-nu-grunge\/","title":{"rendered":"Comet, the Princess of Nu-Grunge"},"content":{"rendered":"
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Comet<\/a> and her band are standouts in New York City\u2019s most recent resuscitation of rock n\u2019 roll. (She is also my wife and twin flame, probably.) Nearly two years after her underground hit EP Two-Winged<\/em>, she has unearthed her latest single, “Opium.”<\/a> Truly gritty with a polished patina, this hymn of dejection tears through the listener like a fresh needle, delivering a euphoric hit of satisfying highs along with frigid groans of indifference. <\/p>\n It is accompanied by a crimson-and-gold soaked music video directed by Fiona Kane<\/u><\/a>, which gives me chills every time I watch it. “Opium” is the lead single off Comet\u2019s Quitter <\/em>EP, the four-track project produced alongside Richard Orofino<\/u><\/a> that\u2019s slated for release this May. She pushes the boundaries of “laptop rock” into a new, raw landscape \u2014 sonically, visually and conceptually all its own. Nu-grunge is born and Comet is the indisputable princess.<\/p>\n We sat down for PAPER<\/em> in our favorite basement bar over a graveyard of empty martini glasses to talk about quitting, pioneering and the fate of our generation. <\/p>\n<\/h3>\n
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